Palm as Vertical Rhythm

Study Intent

This study examines the palm motif not as decoration but as a vertical rhythm that structures a surface. It investigates how density, material weight, and metallic interruptions can create hierarchy without repetition. The focus is on controlling opulence through restraint—allowing richness to emerge from material logic rather than pattern excess. Spatially, this matters where surfaces must carry presence without narrative clutter. For interiors, it offers a way to introduce ceremonial gravity without visual noise.

Spatial Behaviour & Resonance

The surface acts as an anchor—absorbing light, holding shadow, and stabilising surrounding elements. It suits interiors that rely on contrast, proportion, and material confidence rather than on ornamentation. The study resonates with clients who understand space as composition and who prefer cultural memory embedded quietly rather than performed visibly.

Current Manifestation

Initially developed as a soft furnishing surface application to test scale, density, and edge control.

Expansion & Commissioning Potential

This study lends itself to expansion across planes where verticality and weight are required—panels, wall fields, headboards, or framed textile surfaces. Variations may explore scale shifts, negative space, or reduced metallic presence, depending on spatial intent. Commissioning allows recalibration of density, rhythm, and material emphasis rather than replication of form.

Hours of Devotion

Surface development and hand-embellishment: ~120 hours